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Vintage Bookmarks from Bookstores both Current and Long Gone.

This is a picture of vintage bookmarks from bookstores both current and long gone. I have a thing for vintage bookmarks. Actually, I love all bookmarks, but the ones lacking the most information are the ones I like best.

A bookmark without website info is a good one.

A bookmark without a USPS zip code is a great one.

A bookmark with no area code is super duper!

A bookmark with the phone number starting in letters and forming words? Call LOcust 3-4150!

Oh my.

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Sylvia Beach and William Bird

"To Sylvia (Beach) Bill Bird"“[Robert] McAlmon’s friend [McAlmon’s publishing house was Contact Editions] was fellow-publisher William Bird. Bill Bird was a prominent member of the press in Paris, who spent his spare money and time on the little, entirely personal, editions of the Three Mountains Press. He had heard from a fellow-writer of a bargain hand press that was available, and installed it in a tiny office on the île Saint Louis. He was engaged in printing a book when I went to see him one day. He had come out onto the sidewalk to see me because, as he explained, in his “office” there was room only for the hand press and the printer-editor. Bill Bird knew all about rare editions. He was a bibliophile,  and his publications were everything a collector could wish–they were printed in handsome type on large pages of fine paper, and the editions were limited. Bird brought out Pound’s Cantos and Indiscretions, Ernest Hemingway’s In Our Time, and F.M. Ford’s Women and Men, among others. Bill was a great connoisseur of wines, too; the only one of his publications that was not on large paper was a booklet called French Wines. The author was William Bird.” — from Shakespeare and Company by Sylvia Beach.

Oh, how I can identify with old Bill Bird! I think we could have been pals. I learned about Bill today at — of all places, Twitter. I refuse to call it X. It’s one of the things I love about that platform: watch a ridiculous video of Trump’s incoherent ramblings in the same place I can learn a little bit about old Bill Bird and his Three Mountains Press.

 

 

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A portrait of Al, a cobbler…and a dude who slings old sewing machines.

A Portrait of Al from Al's Attire San FranciscoI’ve got an obsession with Everything Old. And All Things Made By Hand. And an appreciation for others who have my weird hang-up. Whether it’s amateur snap shots, or obsolete machinery, or a cobbler’s tiny workspace, I’m all about it.

So I was wandering around San Francisco on a recent venture and stumbled into Al’s Attire. It’s kitty-corner from Cafe Trieste, one of my SF go-to’s. Which is right down the street from City Lights and The Condor (which is where Carol Doda worked), and a biker bar (its name I can never remember).

(If you’ve got a minute, follow the Carol Doda link and check out every single one of the 51-pic set the SF Gate published for her obit.)

Al’s is amazing. Al is amazing! I try to carry my camera around all the time, and Al was nice enough to let me make a picture or two. His shoemaker (another name I can’t remember grrr.) let me make one, too. Pick some cloth off the sample, get measured, and let Al go to work. Same with the shoes; pick soles, material, style, and don’t forget the custom “Al’s Attire Custom” label with your name.

I need a wardrobe re-do.

The Alameda flea market is another go-to. It’s one of the greats. It’s a first-Sunday flea, and I’ve never been disappointed. I made a portrait of Dave there. He cleans up old sewing machines, gets them working again, then sets up shop at Alameda. His booth was right next to a Snap Shot Guy who had a picture of a woman reading Tarot in a field in 1917. Under the picture someone wrote “Gypsy telling the future” with impeccable penmanship, beautiful cursive.

Score.

 

 

 

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Jack Michelin at The Curtis Hotel.

Welcome sign at the Curtis HotelThe last time I walked into the Curtis Hotel, it was for an appointment with Jack Micheline. I wanted to buy some paintings.

It was 1996, and I had just landed in SF for grad school. One of my first days there was spent exploring the city I’d spend the next three years calling home. So I jumped the BART and headed to 16th Street.

The Mission. It was kinda gritty and kinda grimy. My kinda place. And I had heard about The Abandoned Planet Bookstore, which was my final destination that day. What a great place. One of my all-time favorite bookstores, ever.

Along the top perimeter of the store, completely out of reach and above the top row of books were maybe a dozen or so paintings. Totally Outsider work. I don’t know why I ID’d the artist so quickly; it’s not like I had seen any of Jack’s works before. But one — a portrait of Jack Kerouac as a football player at Columbia, caught my eye. I asked the clerk, “hey, did Jack Micheline paint that?” The bookseller confirmed, then without quoting me a price, got on the phone.

“Hey, there’s someone here who wants to buy a painting.”

And within 3 minutes — literally — Jack lumbered into the store and walked right up to me. “Which one you want?!”

I pointed to the Kerouac. Jack offered it up at a bargain. I ended up commissioning another author’s portrait — one of Henry Miller — and I bought three other small paintings. Jack invited me over to his room at The Curtis to pick them up. Then I had a new friend.

Jack and I worked on a chapbook together, and once, walking through the Missions, Jack told me, “you need to meet Johnny Brewton. You need to see his work!” Jack and I ate at Kenny’s from time to time; once, he asked me to be a thug and sent me over to this dude’s house who owed him money  (I had a hard time not laughing as I asked the dude for Jack’s dough, tough guy that I am); and Jack even made a cover for a book catalogue for me (when I used to send those out).

But my best memory with Jack was when he walked me over to his painted room over at Scott Harrison’s bookstore and taught me the “proper way” to read poetry to a crowd.

They’ve cleaned The Curtis up since 1996…at least the outside of the place. The whole Mission is gentrified. The Abandoned Planet went the same way most of the other brick-and-mortar bookstores. And Jack died in 1998 on a BART train bound for Orinda.

The Curtis Hotel in San Francisco's Mission District

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Sofia Heftersmith Always Everything.

I swung by These Days to check out Always Everything, new work by Sofia Heftersmith.

Sofia’s based in SoCal, and (I think) this is her second solo show. Here’s Sophia’s Insta;  her first show was Proof of Life on Earth over at Shit Art Club; here’s an interview with Sofia Heftersmith at Uproxx; here’s another one at Powerzine; and finally, she was interviewed for the podcast What’s My Thesis.

I love Sofia’s work. It’s easy to pigeonhole her as a “young artist”. I’d say she’s wise beyond her years.

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Wendy Blades, Sword Swallower

Wendy Blades is, among other things, a sword swallower / human sword basket, an emcee, and a chairstacker; she can escape from straight jackets and eat fire; and, finally, she’s a human cutting board.

I don’t go anywhere near Pier 39 or Fisherman’s Wharf while I’m in the Bay Area. But I was with family and while we were “doing touristy things”, I was lucky enough to catch her between sets. So I made this portrait of Wendy and her doggo.

Wendy’s on Insta, has a YouTube channel, and a Facebook.

This is a picture of Wendy Blades, sword swallower, holding her dog.
Wendy Blades | October 2022 | Pier 39 | San Fransciso.
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Managing the e-commerce bookstore.

Tom of Finland in Physique Pictorial Volume 16, Number 3Over the past few days, I’ve been duplicating all the book listings I have over at the synaesthesia press eBay store to my new, fancy-schmancy online presence here. Have you had a chance to note the price difference between my eBay store and here?

I don’t have a lot of books online, but hey — it’s an adventure that’s sure to expand. From the rate it’s taking me to post — coupled with how many books I’ve managed to accumulate since I dunno when — I’ll probably be doing this until sometime in 2065. That’ll make me 102-ish, depending what month I wrap it all up.

After I wrap, I’m gonna celebrate by getting my ass tattooed. As a hunky sailor or three watch.

 

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I’m jumping back on this horse and giving it a ride.

A woman walking down Broadway in DTLA But like most rides, who knows how long it’ll last. I’ve got my post-COVID energy going, so I’m going to revive the blog (who the fuck blogs anymore!? Where’s your TicTok and your Podcast ?!), and add my virtual bookstore (cause I can’t brick-and-mortar).

Let’s see how long I can keep it up. Pun intended.

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Happy Birthday Jerry Salinger!

JD Salinger

JD Salinger just turned 90. That makes him twice as old and me; or, better yet, I’m 1/2 way to being an old, old man.

Better yet?

Anyway, I don’t know why, but (probably) just like you, The Catcher in the Rye really spoke to me, in the same way all great art does: Duchamp and Warhol, Coltrane and Miles, Lennon & McCartney, Kerouac and the Beats, Bukowski and rogue poets who starve themselves in order to keep writing poems.

I actually like 9 Stories better than Catcher. Well, wait a sec. Lemme think about that.

Depending on my mood, I like 9 Stories more than Catcher in the Rye. Like I said, just depends on my mood.

And really I love the whole idea of Salinger — for lack of a better term. Or a way to put it.

Salinger writes dismissible fiction for Post WWII pop rags, then gets a story or two into “The New Yorker”, and then he drops his masterpiece on us all. It was about that time some high school kids used to saunter up to his compound in Cornish, New Hampshire, just to hang out and listen to jazz records. And one of them asked “Jerry” for an interview in her school newspaper. Salinger agreed, which scored the girl one of the great literary interviews of all time.

Great, of course, in the sense that it was the first — and last — Salinger ever gave.

The girl’s journalism teacher knew it was something, cause it didn’t wind up in the school’s newspaper, but in the city’s paper, and that was the last time those kids were ever allowed into his house again.

And that’s the last time anyone ever heard from JD Salinger…to this day.

Which was 50 years ago — give or take.

For a while photographers and fans would make the trip to Cornish just to catch a glimpse. Or maybe even get a picture. There’s a Life magazine article from about the time Franny & Zooey was published of Salinger clamoring down a hill holding two pails of what I assumed was water from a well.

But maybe not.

I once heard a picture was floating around of him waving off a photographer on the way to his favorite (and probably only) doughnut shop in Cornish…but I never saw it.

The pic I found here came from this article at the New York Times on his birthday…which promoted me to blog Salinger. I’m willing to bet this photo came from the same session as the one that graces the back cover (but only in the first few printings) of The Catcher

And I’ll admit Salinger’s reclusive behavior — as well as his lack of publications — is what makes me want more. It makes us all want more. Cause, let’s face it…if Salinger wrote a whole bunch of crummy novels and, late in his life, wound up selling Beanie Babies on QVC to make a few bucks, well…you know.

Just like if Jim Morrison woulda made it through that Paris night and found Jesus…a few years after making a couple bad solo records.

I wrote to Salinger once. It was right before I made Enemies and Friends. I actually wrote to two of my favorite writers (at that time) and asked them if I could publish a chapbook of their work. In addition to the letter, I sent Salinger a copy of the Harold Norse chapbook, Sniffing Keyholes, as well as Gifford’s The Strangest One of All. Of course I didn’t hear back from Salinger.

I did hear back from Tim O’Brien.

But I digress. In fact, I dunno what my point is here at all. I guess just to wish Salinger a happy birthday, even though I imagine him huddled around a fire, wrapped in a heavy quilt, and contemplating his life…and certainly not sitting in front of a computer, checking his e-mail, and Google’ing himself just to see if anyone cares anymore.