Category: Books for Sale

I hate talking about my work. I’d rather let the photos or the ink or the weird little bits of paper do the talking. But if I don’t say something, this book just sits quietly in a drawer in my studio…and that feels worse. So here we go.

I made Confessions of a French Stenographer (A Tracing of a Frazetta Painting) in 2015. It’s a one-of-a-kind artist’s book built from scissors, PVA, my Vandercook 291 OS, and a box of flea market gold. The title comes from a 1920’s dirty little smutty smut-smut book I found on one of my “Sunday Funday” flea market adventures. Probably Long Beach. Or maybe when Fairfax High’s was still decent? Everything else—the collaged pin-ups, found snapshots, bureaucratic ephemera, naughty nudie slides and typewritten drama—is all my work.

I had run across Joseph Cornell’s Manual of Marvels a few years prior. I was amazed. Cornell turned an ordinary book into a masterpiece. His boxes are great, but his Manual of Marvels? It inspired me to create, and isn’t that what great art does? Instead of Cornell’s Victorian whimsy, I opted for something… I dunno. I’d like to say mine’s a little sleazy. Maybe kinda funny. Definitely strange.

It’s a hand-assembled, letterpress-printed one-off that’s been sitting quietly in a drawer in my studio since its completion.

Until now.

They say April showers bring May flowers, but around here they bring collectible oddities, forgotten treasures, and just enough paper dust to keep the allergies guessing. 🌸📚 This month’s lineup spans card tricks with a punchline, Vargas girls in bloom, a long-lost Tim O’Brien title, and a photobook so strange and wonderful it might just stare back.

I’m not flexing. (Okay, I’m flexing.) But when the finds are this special, it feels rude not to show them off. So here ya go—this month’s Top 5 Buys, handpicked by me for you and from the strange and wonderful tide of paper that rolled through my shop in April.

1. Milton Kort – Off-Color Card Tricks (Magic Inc., 1950s)
Proof that magicians can be raunchy too. Kort’s slim booklet isn’t just a sleight-of-hand manual—it’s a time capsule of mid-century American humor, wrapped in card flourishes and innuendo. A little warped, a little worn, and entirely charming. Picked up by a magician with a good sense of timing and humor.

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2. The Vintage Vargas Girls Lot – 1946 Vargas Girls Lot
Twelve stunning pin-up leaves from the 1946 Esquire calendar—sun-bleached just enough to feel authentic, but still saturated with Alberto Vargas’ signature glow. Each page is a mini-masterpiece of postwar idealism, cheesecake style. A batch like this doesn’t last long.

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3. Tim O’Brien – Friends and Enemies (Synaesthesia Press, 2001)
Long thought sold out, I unearthed two copies of this forgotten gem (Okay, I’m flexing) on my move back to Arizona from LA — a collaboration between myself, Mr. Tim O’Brien and Native American artist Fritz Scholder. Signed by O’Brien & Scholder, beautifully printed (Yup, I’m flexing some more), and housed dós-a-dós. This one was gone within a month (flexFLEX)… but sometimes the archive gives back. At the original, 2001 publication price no less!!

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4. The Probe #4 (1994)
Zines like this don’t just walk in every day. Actually, this one didn’t, either. I grabbed it off the rack at the great Eastside Records when it was published in 1994. I’ve held on to it ever since. Anyways, Issue #4 of The Probe delivered interviews with Aja and Christy Canyon, some scrappy punk content, Evan Dorkin weirdness, and a Ken Miller feature—all wrapped in neon comic-book aesthetics.

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5. Boris Mikhailov – Viscidity (PPP Editions, 2022)
I first became aware of Mikailov in 2012 at the reminder bookstore over by the Pompidou in Paris when I picked up a copy of his Case History off the 10€ table. Hands down of the the most unsettling, disturbing photo books I’ve ever come across. I’ve been paying attention to Mikhailov ever since. This Soviet-era self-document is equal parts absurd, grim, and genius. Mikhailov’s autobiographical experiment blends bureaucratic tone with visual chaos in a gorgeous oversized book housed in a cardboard clamshell. Still available—for now—and easily one of the best photobooks I’ve handled this year.

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They say modesty is a virtue, but when you’ve got rare finds as cool as these, tooting your own horn feels more like a public service. 🎺 So, here I am, shamelessly parading 5 gems that any collector worth their weight in dust jackets should know about.

Don’t worry, this isn’t just a sales pitch (okay, maybe it is)—but it’s one you’ll thank me for later. Here’s this month’s 5ivers 📚

• Capture the haunting beauty of the overlooked with this striking gelatin silver print, echoing the raw, intimate style of Diane Arbus, where every shadow tells an interesting story.
• Join the revolution with John Sinclair’s Guitar Army—a high-octane manifesto blending music, politics, and countercultural rebellion, straight from the frontlines of the 1960s underground and still in AS NEW condition.
• Unlock the boozy, bawdy, and bizarre history of the West with these Clampers ECV journals—because no one tells tall tales and history — or places low-ball bids on eBay — quite like a Clamper after a few rounds.
• Own a signed Joel-Peter Witkin Disciple & Master —because nothing says ‘conversation starter’ like beautifully grotesque art that makes you question your mortality (and maybe Witkin’s sanity).
• Signed promo photo of The Orchids to Kim Fowley—because even in the world of cancelled legends, rock ‘n’ roll history doesn’t erase its autographs (just don’t bring him up at dinner…and come to think of it, did anyone actually bring Kim to dinner while he was still alive?).

Common knowledge: The Beat Generation produced some of the most influential, rebellious, and avant-garde literature of the 20th century. More common knowledge: we all know about “The Big Three” — Kerouac, Ginsberg, and Burroughs. (Do we add Gregorio and call it “The Big Four”?)

But what about some of the lesser-known writers and their publications? Here’s three rare and overlooked gems you should add to your collection.

1. Dreams of Straw by Roxie Powell

• Published by Dave Haselwood’s Auerhahn Press (and printed by Haselwood and Charles Plymell), Dreams of Straw encapsulates Powell’s distinctive poetic voice, mixing surrealism, nature, and existential musings. A lesser-known figure within the Beat circle (was he really “beat”?), Powell’s work is a hidden treasure.
• Roxie’s poetry reflects the more experimental side of Beat literature that didn’t gain mainstream recognition. Too experimental, probably. And isn’t “experimental” sometimes a code for “difficult to read”? Which is exactly what these poems are not.
• Mark Faigenbaum is a San Francisco-based artist renowned for his innovative mixed-media assemblages and collages. While I was in grad school in SF in the late-90’s, he put a copy of Dreams of Straw in my hands and told me Roxie was the best poet I had never heard of — a line I steal whenever I first tell someone about Dreams of Straw. I loved Dreams of Straw so much I wrote to Roxie, and eventually we spent an afternoon wandering San Francisco. He told me some terrific stories. Oh, those sugar cubes! A few years later Wild Whispers was published. I’m really proud of that book.

2. The Hotel Wentley Poems by John Wieners

•  First published in 1958, The Hotel Wentley Poems is a raw, emotional collection that documents Wieners’ life as a poet on the fringe of society. The collection focuses on themes of love, loss, and longing, with a lyrical style that’s as haunting as it is beautiful.
• Certainly not as widely recognized as Howl, this collection is considered by many literary insiders to be one of the most important works of its time, showcasing the vulnerable, emotional side of the Beat experience. In other words, Wieners is a “poet’s poet”.
• Wieners’ poetry had a profound influence on the LGBTQ+ literary movement; and along with Ginsberg, Wieners was one of the first Beat poets to openly explore themes of same-sex desire.

3. Howl of the Censor – Edited by J.W. Ehrlich

• This important but often overlooked book documents the 1957 obscenity trial of Allen Ginsberg’s Howl, featuring courtroom transcripts, essays, and commentary. J.W. Ehrlich, Ginsberg’s defense attorney, compiled this essential work to showcase the fight for free speech in literature.
• It’s not just a legal document—it’s a historical record of a defining moment in literary and cultural history. Collectors of Beat ephemera will find this book invaluable for understanding how censorship shaped the movement.
• Ginsberg himself referred to the Howl trial as one of the most important events in his career, as it turned the poem into a symbol of artistic resistance.

Collecting Beat literature is about more than just owning books—it’s about uncovering and discovering the little books and pieces of history that shaped a cultural revolution. While Naked Lunch or On the Road will always “steal the spotlight”, these three hidden gems reveal the diverse, experimental, and often under-appreciated voices of the movement — as well as the real-world legal challenges the Beats faced in a post-war, Eisenhower / John Birch America.

Check out my listings and don’t miss the chance to discover the books that helped shape the underground literary world.